I Will Not Fear

I Will Not Fear is an ongoing collection of colorful paintings and mixed media sculptures that are inspired by dark feelings such as anxiety and depression that I dealt with for as long as I can remember.

I started out this thesis with the mindset that I would just be doing a project. It was something I was excited to get started with but nervous for what would happen through the process. I didn’t know where it was going, or what I wanted it to look like. I was afraid. I was anxious. I felt pushed, exhausted and pressured by my own expectations. I felt trapped within my own feelings that things would not work out.

                This work is about fear. Fear of everything to come and fear of the nothingness that follows. Fear, that which resides in every person until we’re gone and all that is left behind are the impressions we left upon the world. We fear what those impressions might be, and we fear that we cannot change them. My world was built upon fear of what’s to come. Who I am is influenced by fear and the whole mess of feelings that go along with it. So why reject it? If fear is always going to be around me, then the best thing to do is to accept it. Feel it. Laugh at it! Let fear push me to do the things I only dream of doing.

   

And so, I allowed this work to represent everything that I tried hard to push away. Brushstroke after brushstroke, this process became more than a project. It became an escape, not from my fears, but from the world that felt shadowed by them. I was able to investigate who I was and examine what I feared and why. A vulnerability that I never allowed myself to experience before. My paintings each show a side of my fear that make me question my mortality and expose that vulnerability. But the imagery does not convey darkness. It does not represent fear as something that I can’t escape because, I don’t need to escape it. Without sacrificing the tradition of paintings on a wall, I created images that took form in our world through physical elements that are an analysis of the fears they represent. That analysis not only creates deeper meaning within the pieces but provides me a chance to laugh at them and find joy in their meaning.

Colorful Abstract Oil painting featuring a shattered collection of color shifting gradients with tape masking portions of the piece. Representative of the artist's fear of making a mistake
    A large vertical shattered glass oil painting vulnerably sits on the floor leaning against a limestone wall. A pane of glass leans against the painting covering the bottom portion of the piece, seemingly to protect it from careless onlookers and to create a contrast of glare between the upper and lower portion of the piece.   A golden spiraling gradation backgrounds stones engraved with the Star and Crescent tumbling into the spiral. The entire piece is wrapped with a rainbow flag nailed into the wood with black spikes.Two canvases each with a pink and red triangular gradient, inverted from one another hang on a wall. They are connected to one another with a black metal zipper halfway undone with white stuffing bursting forth. Upon the gradients are conte drawings of anatomical hearts one nearly bursting from within, stitches holding cuts together. The other, completely deflated, stitches torn, and the cuts hang open. A conversation about the fear of commitment and the fear of loss.Bloody cartoon teeth cascade down the tall vertical pink and green gradient background. All around the teeth inside the pink space is dotted with chewed pink bubblegum.   You look down a diamond shaped tunnel and webs cover your vision. A chilly breeze runs through, and black and white spiders begin a territorial battle. The white spiders are waiting to pounce while the black spiders hide in plain sight. There is something you're missing here and you can't quite put your finger on it. Are those fake spiderwebs?  
As bright as a kids birthday party, the background of this painting looks like cake frosting. Popped balloons are literally pinned to the painting matching the painted ones that make you remember the terrible birthday parties you had alone or with others. Still, we are here and move on. Blow out the candles that are melted along the top of the painting with one left to light.   Ophidiophobia - I Feel Constricted by this fear. Oil painting of golden and black snakeskin framed by a Snakeskin belt hanging on a white wall. Medium sized and highly textured, this painting seems as though it is shifting and moving in three dimensional space along the canvas.

                The whole process, beginning to end, proved to be a challenge. But the most difficult part is now not being able to do it anymore. This thesis has seen me through troublesome parts of my life. From losing someone I once cared about, to working on building a relationship of acceptance with my family and small things in between. I delved deeper into who I wanted to be and allowed painting to guide me through it. I sat in the gallery after the work was installed and I cried. I knew, at that moment, that everything I’ve done during this thesis has made me better. I felt that I was losing something that would push me to keep growing. For not only did I grow as an artist, doing things I didn’t think I would be doing from the beginning, but I found an appreciation for the parts of myself that I hated. I came out of it more confident on my ability to be an artist as well as more accepting of things that troubled me about myself. The work showed me that fear is a beautiful feeling. That I shouldn’t be afraid of it. That I can now look fear in the face and tell it “I Will Not Fear.”

Close up photograph of the shattered gradient patched up with green frog tape.  close up photograph of the snakeskin painting featuring small peaks of oil paint creating a raised texture over a black canvas  Installation shot of the snakeskin painting featuring the snakeskin belt wrapped around the canvas. Comedic interjection representing the irony of someone who is afraid of snakes wearing a belt that constricts their waist just like the creature.  Closeup photograph of the chewed pink bubblegum glued to the painting scattered around the spaces where the teeth fail to fill it up. You can see teeth marks molded into the gum, serving as both a genetic and periodontal fingerprint of the artist.  Cotton spiderwebs stretch over an oil stick drawing of a black widow spider. The web sticks out the canvas just enough to provide texture, but when seen from the front, looks almost like it was drawn onto the painting.  The mouthpiece of a balloon is left hanging, pinned to the not celebratory birthday painting. The piece of balloon is separated from the rest of its body. The dramatic image shows the extruding texture of the unconventional materials that the artist used to playfully portray the heartwrenching topic.
Some of these artworks are still available for sale and exhibitions. Please contact me directly to inquire about a certain piece or the entire show. I am currently working on new pieces that follow this theme and will update this page accordingly. Check out my social media to see it as it comes out and sign up for my newsletter to get notified of new projects and shows.